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unreconciled. England was not to be recreated as Howard hoped; yet he remains one

            of the more interesting and unsung heroes of the cultural movement of the rural
            idyll, of England as a garden.

            Martin Wiener: explaining the Great Escape
            American historian Martin Wiener published English Culture and the Decline of the
            Industrial Spirit in 1981. This ground-breaking book is a work of two halves. The first
            part describes how Victorian Britain was “a nation, or at least an elite, at war with
            itself.” This was a cultural war; but as he argues, modern experts on economic

            development who have studied countries such as Japan and India who have
            modernised and industrialised along the lines pioneered by Victorian Britain, find
            that cultural factors are highly significant,

            The culture war was between two conflicting visions of Britain: as “the workshop of
            the world” (Disraeli’s phrase) and “England as a garden” (Morris’ phrase, later
            echoed by Rudyard Kipling). How ironic, says Wiener, that the nation whose gift to

            the world was the Industrial Revolution, should have taken such a negative view of
            industry from the earliest stages. Wiener suggests two explanations. First, he argues
            that aristocratic values “captured” the British industrial elite. Britain’s aristocracy was
            more open than elsewhere. The rising industrial middle class did not elbow it aside as
            Marx predicted. Instead, it reached an accommodation. But in the process, they
            allowed themselves to be “conquered” by aristocratic values. They aspired to
            become country gentlemen and bought country houses and estates. They adopted
            aristocratic leisure pursuits. They abandoned the bourgeois inventiveness and cut-

            and-thrust competitiveness that had made them, or their fathers, rich. They turned
            their backs on the industrial world that had made them. They may have been the
            creators of the modern world, but they did not see this as a matter of pride or
            celebration. On the other side, many aristocrats invested in capitalist enterprises
            such as mining on their estates and married their children to those of wealthy
            industrialists. The outcome was a mixed elite, who turned their back on the culture of

            industrialism.

            The second part of Wiener’s explanation is about the speed of change experienced
            by the Victorians. They turned to the certainties of medieval history coupled with the
            changelessness of the countryside as a psychic refuge in an age of unprecedented
            change. Even as they were creating the modern world, the Victorians sought solace in
            Merrie England and the garden.

            Wiener extends his interpretation into modern times. He argues that it explains

            Britain’s progressive economic decline. Historians usually put this down to our
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