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analysis into a rather mechanistic process which would inevitably unfold in strictly

            prescribed stages; and they opted to pursue electoral and parliamentary politics; an
            uneasy pairing of reform and revolution. It became known as Revisionism and was
            associated with Edward Bernstein. This “gradualist” approach to socialism was also
            adopted by the British Fabian Society (named after the Roman general Fabius who
            defeated Hannibal by a drawn-out war of attrition, avoiding pitched battles) and by
            the Labour Party (established in 1900). Marx’s view was as we’ve seen that no
            bourgeois parliament would ever pass reforms that genuinely helped the working
            class, although he slightly modified this view later in life.


            In 1916, with Russia destabilised by defeats in the First World War, Lenin said it was
            ripe for revolution; why wait? Even if it meant turning key parts of Marxism upside
            down: relying on Russia’s peasant majority because workers were still a minority;
            industrialising after the revolution, not before; and prolonging a ruthless dictatorship
            in the name of communism, perhaps indefinitely. Leninism was Marxism in a such a
            hurry that it ceased to be Marxist. The claim that the Russian Revolution of 1917 and

            the Soviet regime that followed owed little or nothing to the Marx of 1848 was
            probably right. The Soviet nightmare was the vision of Lenin, not Marx.

            Revolutionary awakening, orphaned survivor
            The conversation between the Enlightenment and Romanticism contains many
            complexities and nuances. Socialists, with their belief in collective action and organic
            community rather than the individualism and competition of capitalism, tended to
            stand on the side of Romanticism.  But according to Marshall Brown, “Romanticism

            was the revolutionary reawakening of the Enlightenment”.

            Marx transcends the divide, applying Enlightenment reason, but borrowing language
            and ideas from Romanticism. The Communist Manifesto exposes the laws of history
            yet read in places reads like a Gothic tale. Its brilliance lies not so much in the detail
            of its arguments, which are often questionable, but in its epic scale. The breadth of

            Marx’s historical vision is breath-taking. Duncan Heath claims that “Romanticism
            expires on the barricades of 1848, with Marxism as its orphaned survivor.”
            But as Michael Lowy says, this does not mean that Marx wished to escape to the
            past: rather, “he aims at a higher form of social organisation, which would integrate
            both the technical advances of modern society and some of the human qualities of
            pre-capitalist communities, as well as opening a new and boundless field for the
                                                                                        th
            development and enrichment of human life.” Marx is the titan of 19  century
            socialism, the solitary genius standing on his mountain top surveying all, like the
            Romantic hero he dreamed of becoming in his youth.
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